CM tonality throughout. Uranus is perhaps my least favourite, but all the same its still a great piece of music and I feel like it does fit well into the mixture of movement Holst has written. Required fields are marked *, Gustav Mahler: Symphony No.2 (Movement III) Movement III Also composed in the summer of 1893, the third movement was originally labelled as the second movement, as it bears many similarities to Todtenfeier. The overall tone is militaristic in sharp, percussive, insistent ostinato 5/4 time. Gustav Holst - IMDb Description: PDF Download Download: Price : Jupiter--Bringer of Jollity: Full Orchestra Conductor Score & Parts: C Theme. Saturn, the Bringer of Old Age 6. What films use Holst's "Jupiter"? - Quora Indeed, robbed of its usual quirky edge, his Mars is suffused with a world-weary air and casts a pall over the rest of the work that is never fully dispelled; its final chords seem weighed down with regret, aptly leading into a Venus that seems less an aura of peace than a futile plea. 7. Jupiter (Bringer of Jollity) | KingfisherMusic Boult's endings of the slow movements sound abruptly perfunctory, lending greater feeling to the extremely gradual fadeout of his Neptune. The swelling brass and slow waltzing strings are met with moments of poignant beauty in the glorious tune now known as I Vow to Thee My Country. But he didn't seem fazed she also reported that he said: "It's a great thing to be a failure. Rare enough in Western music, Holst's rhythm is neither the smooth "loping waltz" of the Tchaikovsky "Pathetique Symphony" nor the teasing bounce of Paul Desmond's "Take Five" nor even the urgent thrust of Ginger Baker's "Do What You Like." () - Wikipedia While the piano score is useful for study purposes, despite the technical excellence of several recordings the keyboard version unavoidably purges The Planets of all its color and texture. In the more climatic section of this movement it becomes an incredibly powerful piece of music that feels rather personal. Gustav Holst: The Planets Suite - AquarianAge Claiming inspiration from the innovative orchestration of Rimsky-Korsakoff, Stravinsky and Ravel, his three earlier albums (Snowflakes are Falling the Newest Sound of Debussy, Pictures at an Exhibition and Firebird) took their cues from Walter Carlos's 1968 Switched-On Bach by substituting electronic sounds for the actual instruments and thus generally respecting the structure and content of the originals. Here is a score reduction and analysis of "The Planets: Jupiter, the Bringer of Jollity". Uranus, the Magician Reflecting the astrological realm of eccentricity and the occult, Holst's Uranus has been compared to Dukas's 1897 Sorcerer's Apprentice in terms of their structure, orchestration, rhythm and overall aura of comic bumbling within a serious setting, even though Boult insists that Holst had never heard it. Holst writes this movement in 5/4 time, which gives the feeling of uncomfortable movement at times. Imogen emphasized that "clarity was his watchword," that "he never could understand slovenly workmanship" and "though his music dwells in mystical regions yet it is never indefinite or shadowy." Smooth Classics with Myleene Klass It has outrun the dimensions of a suite, and become a cycle of tone poems."

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