Instead, it used a metal recording wheel. Time intro test with backing track - 470ms and 94ms. The primary reason is becasue the delay time is usually set in time with the tempo of the song, so each repeat lands on the beat. Below is an example using two digital delays in series. david gilmour delay settings | London Guitar Academy Program Position 5 is equivalent to Switch Position 7 on the real Echorec, which is Head 4 + Head 3. The third solo also sounds like it has reverb, but that sounds more like room reverb or plate reverb added in the studio. With that said, the rest of the article is designed to . Most analog type delays have a lower quality repeat decay that rolls off more high end on each repeat. Tutorial - Run Like Hell (David Gilmour) Delay Setting - YouTube That delayed chord would ring on through the second Hiwatt for approximately 20-30 seconds before decaying, simulating a sustained keyboard chord. Comfortably Numb: middle section: 1500ms -- feedback: 10-12 repeats ECHOREC DELAY - David was a heavy user of the Binson Echorec from his early days with Pink Floyd in 1969 until the late 1970s. intro and verse volume swells, first solo: 480ms -- feedback: 6-7 repeats Reverb was also added at the mixing desk when recording or mixing. He has used this type of setup in his 1987-89 rig, his 1994 rig, and in his 2006 On An Island tour rig. 2. Most digital delays create an accurate, pristine repeat that only decays in volume with each repeat, not in quality. intro: 650ms, Coming Back To Life - 2015/16 live version: All of the settings for this tone can be found in this PDF download below. Although it is simple to play, you must play exactly in time with the delay or it will sound sloppy. David Gilmour has always made a very precise use of delays, since the early eras, even combining two delays to create his textures. 520ms -- feedback: 5-6 repeats - delay level: 20% -- delay type: analog, Money solos- Pulse version (TC2290 Digital Delay): On the extremely rare occasions that David did use mulitple heads it was usually position 7, which was Head 3 + Head 4, 225ms + 300ms. David Gilmour, as many guitarists will agree on, is an absolute legend. Brain Damage - Pulse version (TC2290 Digital Delay): Breathe - studio version (several duplicated multi track recordings offset to create the long delay repeats): Breathe - Pulse version (TC2290 Digital Delay): Coming Back To Life - Pulse version (MXR Digital Delay II and TC 2290 Digital Delay): Coming Back To Life - 2015/16 live version: Comfortably Numb - 1986 live version / Columbian Volcano Appeal Concert: Comfortably Numb - Pulse version and most Division Bell tour performances: Eclipse If running the delays parallel, set for about 12 repeats on each. Every aspect of his tone can change on different albums, even on different tracks of the same album! Gilmour's delay on Coming Back to Life | The Gear Page Even better is to run the delays parallel so one delay does not repeat the other, which sometimes sound messy. buildup and arpeggio delay time: 300ms -- feedback: 7-8 repeats - delay level: 40% -- delay type: analog, Echoes - live Gdansk Version:

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