In fact, she hated music until age 5. [80], When she first looked at a student's score, she often commented on its relation to the work of a variety of composers: for example, "[T]hese measures have the same harmonic progressions as Bach's F major prelude and Chopin's F major Ballade. Her pupils included the composers Lennox Berkeley, Elliott Carter, Aaron Copland, David Diamond, Roy Harris, Darius Milhaud, Walter . [81][90] Copland recalls, Nadia Boulanger knew everything there was to know about music; she knew the oldest and the latest music, pre-Bach and post-Stravinsky. In 1921 Boulanger began her long association with the American Conservatory, founded after World War I at Fontainebleau by the conductor Walter Damrosch for American musicians. [21] Still hoping for a Grand Prix de Rome, Boulanger entered the 1909 competition but failed to win a place in the final round. Boulanger was the first woman to conduct the New York Philharmonic and Boston Symphony orchestras (Credit: Getty Images). 10am - 1pm, Casablanca (As Time Goes By) She began her career as a composer, but gave it up at the age of 33 to devote her time to teaching. Elliott Carter. I hope this is helpful. Strangely, she didn't start out as a music lover! Then Lili died. According to Lennox Berkeley, "A good waltz has just as much value to her as a good fugue, and this is because she judges a work solely on its aesthetic content. In the Boulangerie Inside Story That varies by the student, of course, but Nadia Boulanger (September 16, 1887-October 22, 1970) seemed to have a pretty good grasp of it. Let us know if you have suggestions to improve this article (requires login). Nadia Boulanger. [89] Students have described her as knowing every significant piece, by every significant composer. Ernest had retired from the Conservatory and was still giving private lessons to students. When Lili was dying in 1918, Nadia wrote her a final letter from one composer to another. Nadia Boulanger composed several choral, chamber and orchestral works, and her cantata La Sirne won second place in the 1908 Prix de Rome.

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