In The coming of the light, 1987 the high- rise buildings that frame the white faces are represented as grid-like forms. The headless figure of the Aboriginal man has an animated, spectre- like presence that haunts the scene. Bennett adopted this alter ego to liberate himself from the preconceptions that were often associated with his Aboriginal heritage and his identity and reputation as the artist Gordon Bennett. possession island LibGuides: Studio Arts Year 11 (Units 1&2): Art Appropriation The effect is that they dissolve into a mass of colour, dots and slashes of paint . Gordon Bennett - Portrait and a Wet Dream (Historicism) (1993-95) - A The Bicentenary celebrations triggered increased activism, protests and public debate related to Indigenous issues. The Whitlam Government abolished the last remnants of the White Australia policy, established diplomatic relations with China and advocated Aboriginal land rights, to name just a few of these changes. However behind the neat facade and pleasantries of suburban life, Bennett was haunted by racism and the same derogatory opinions of Aboriginal people that he quietly endured in the workforce. Collect a range of images (both art and media sources) that depict characters that are perceived or presented as typically Australian. They reference the massacres of Aboriginal people in Myth of the Western man (White man's burden) (1992) and The nine ricochets (Fall down black fella, Jump up white fella (1990) and question the valorising of Captain Cook in Big Romantic Painting (Apotheosis of Captain Cook) (1993) and Possession Island (1991). Amidst the chaos and confusion of dots and slashes of colour he remains imprisoned by the grid, reduced to servitude. It is interesting to note that this same year was declared a period of mourning by Aboriginal people. Early life [ edit] Possession Island, 1991 - Cooee Art The dynamic juxtaposition of images, sound and other effects made possible by video, introduced new dimensions to Bennetts investigation of issues and ideas related to identity, history and language. Lichtenstein 19231987). Gordon Bennett, Possession Island (Abstraction), 1991.

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